Showing posts with label Reading. Show all posts
Showing posts with label Reading. Show all posts

Saturday, May 14, 2022

I'm On A Wavelength Far From Home

This post first appeared in my newsletter I WAS BIGFOOT'S SHEMP.

Easter has come and gone, always a busy season for me.  It's when I get on social media and interact with all of the people watching PETER ROTTENTAIL.  For something I wrote back in the early 2000s, it has just hung around and hung around.  It's fun to see.

It doesn't hurt that now you can watch it for free on Tubi.

If you want to add more spirituality to your Easter viewing next year, another movie I wrote, NOAH'S SHARK, is free on Tubi now too.

Man, Tubi, I tell you what.  Not that long ago I didn't know what it was, and now almost my entire career is on there (including what I thought was a lost movie I didn't get a credit for writing!).  A lot of people are saying it's now the go-to place to see independent movies and it's hard to argue the point.  What I like to do is type a word into the search engine, like "Amityville" or "Zombie" or "Ninja" or "Scarecrow" or "Massacre" and just click through a bunch of stuff and get the ebb and flow of it.  It's a fun exercise to sort of get the juices flowing.

We are all trying to figure out how to get the machine running again in the movie world, even way out in the hinterland where I am.  I am still quietly writing away, and maybe yet this year some of the fruits of that b-flavored labor will be out in the world.

I'm even falling behind on my annual goal of reading 50 books a year, but one I've read this season-- THE HEAP by Sean Adams--is a book I can recommend to people who like my stuff.

Hopefully will have some news to report soon, but until then, best to you all and thanks for sticking with me.

Friday, December 31, 2021

Top Ten Reads of 2021

In another bad year, I had a good reading year, with a lot of great choices below.  Here are my Top Ten books, in a year where I passed by goal of 50 and hit 64.   Enjoy!

RAZORBLADE TEARS by SA Cosby

STILL LIVES by Maria Hummel

ZERO ZONE by Scott O'Connor

UNDER THE HARROW by Flynn Berry

THE RESISTERS by Gish Jen

HARLEM SHUFFLE by Colson Whitehead

THE KILLING HILLS by Chris Offutt

THE GUIDE by Peter Heller

THE BODY SCOUT by Lincoln Michel

THE MISSING AMERICAN by Kwei Quartey

Sunday, January 03, 2021

Best Reads of 2020

 Passed my goal of reading 50 books in 2020 and topped out at 66 in a strange year.  Here are my favorites, if you are looking for a new read.


The Black Jersey by Jorge Zepeda Patterson

These Women by Ivy Pochoda

Blacktop Wasteland by SA Cosby

The Last Weynfeldt by Martin Suter

The Fragility of Bodies by Sergio Olguin

Your House Will Pay by Steph Cha

The Glass Hotel by Emily St John Mandel

Winter Counts by David Heska Wambli Weiden

Red Dust by Yoss

The 6:41 to Paris by Jean-Philippe Blondel


Enjoy!

Tuesday, December 31, 2019

Feed Your Head, 2019 Edition

I read 63 books this year; I struggled a bit to pick a top ten, but my top five all blew my mind in different ways, and could be recommended to anyone wanting a fresh read.  Enjoy!

Destroy All Monsters by Jeff Jackson

Gideon the Ninth by Tamsyn Muir

Easy Motion Tourist by Leye Adenle

The Ready-Made Thief by Augustus Rose

The Wolf and the Watchman by Niklas Natt och Dag

 Transcription by Kate Atkinson

Big Sister by Gunnar Staalesen

My Sister is a Serial Killer by Oyinkan Braithwaite

Pictures at a Revolution by Mark Harris

Orson Welles's Last Movie by Josh Karp

Monday, December 31, 2018

Top Reads of 2018, and Reads of the Decade

I read 58 books in my annual quest of reading 50 books a year.  Another good year, on the world landscape, to hunker down and read.  Might have helped if I hadn't read so many dystopian novels.

This year my Top Ten favorite reads were:

Severance by Ling Ma

Bearskin by James A. McLaughlin

The Feral Detective by Jonathan Lethem

All Our Wrong Todays by Elan Mastai

Every Anxious Wave by Mo Daviau

Tangerine by Christine Mangan

November Road by Lou Berney

Blackfish City by Sam J. Miller

The Third Hotel by Laura Van Den Berg

The Italian Party by Christina Lynch


I first undertook this internet challenge with some friends way back in 2008, and since then I have read 598 books, or an average of 54 a year.  I didn't make it in 2013 and 2014, being a span of time when both my kids got married and a grandson was born, and I read an astounding 81 books last year, because obviously it was 2017.

I grabbed the top from every year, and some others I didn't rank as highly but have stayed with me over time; that initial list was 20, and here are the Top Ten.

I'm too close to this year's batch, but I think Severance might be there somewhere in the long haul.

The first two I have recommended to everyone, and in fact when I shot my debut feature film The Girl in the Crawlspace earlier this year, they were two of the books I gave to my lead actors as a thak you for their roles.  The next two were also a heavy influence on my movie, as a character reads them during the action.

I had to include The Girl with the Dragon Tattoo as it started my now ten-year love of Scandinavian crime fiction (as well, I suspect, as quite a few other people).

The others I would just say were mindblowers in some way that sent my thinking in different directions. 

Station Eleven by Emily St John Mandel

 Night Film by Marisha Pessl

Stars In My Pocket Like Grains of Sand by Samuel R. Delany

The Left Hand of Darkness by Ursula K. LeGuin

The Three-Body Problem by Liu Cixin 

Six Four by Hideo Yokoyama

The Dog Stars by Peter Heller

 The City and The City by China Mieville

 Wolf in White Van by John Darnielle

 The Girl with the Dragon Tattoo by Stieg Larsson


Here are the next five that I had to think hard about before excluding:

Lunar Park by Brett Easton Ellis

Roadside Picnic by Arkady and Boris Strugatsky

The Transmigration of Bodies by Yuri Herrera

The Sisters Brothers by Patrick deWitt

Embassytown by China Mieville

Maybe this list would be slightly different if I did it again tomorrow, but maybe not.

A couple of times I have picked goals for the year; once I read a year of all women writers and once I did a year of people of color or people in translation.  If I have a goal for this coming year, I think it will be read harder and smarter; we shall see.  I hope you see something here you'd like to read!

Sunday, October 07, 2018

A Shooting Star Has Crossed My Land

This blog post first appeared in I WAS BIGFOOT'S SHEMP, my e-newsletter you can subscribe to from the sidebar.

I have enjoyed seeing people explore what books are shown in TV shows and movies, from MAD MEN to ORANGE IS THE NEW BLACK to LUKE CAGE.  I tried in my own small way to signal a few ideas in my directorial debut THE GIRL IN THE CRAWLSPACE.

During the role-playing game scenes I tried to fill in with a lot of Easter Eggs for nerd culture fans.  I set up the gamer Dewclaw (Joe Skeen) as being a bit of a collector of outsider art and culture, so I seeded some of my favorite independent comics and such around, most of which unfortunately you can't see in the movie (nor several of his tee shirts, which were designed by some friends).  But you can definitely see my old friend Ray Otus' RPG zine PLUNDERGROUNDS on the table.  Ray also did all of the D&D style art you see in these scenes, which gives those parts some added production value.

You also see Jill (Erin R. Ryan) reading or carrying a TEX comic around in several scenes.  Tex Willer is one of the greatest, most long-running heroes of Italian fumetti, and every time I go to Rome I make a pilgrimage to the Piazza della Repubblica and the great outdoor stalls there full of fumetti, giallo novels, old records, and other remnants of Italian pop culture to pick up a few issues (I own issue 500, and TEX is still going strong).

A question I have been asked a lot is if the dream cowboy Jill sees (played by Joe Kidd) is supposed to be the spaghetti western hero Django--in fact, Jill's D&D character is named Django the Bastard, after one of my favorite spaghettis--but I honestly never thought about that.  I really meant for him to be Tex Willer.  But Tex has such an iconic look that I chickened out and named him Lucky after Russell Hayden, part of a story I have recounted a few times but can be read here. And even more honestly, I knew Joe still had his Wild Bill costume from CALAMITY JANE'S REVENGE, in which, ironically, he also plays a ghost.

I also had the young gamer Skinflayer (Chelsi Kern) with a paperback book nearby in several scenes.  My thought was when the older gamers were going on and on about rules and such she would probably get bored and start reading.  The two books you see her reading are STARS IN MY POCKET LIKE GRAINS OF SAND by Samuel R. Delany and THE LEFT HAND OF DARKNESS by Ursula K. Le Guin.  Delany's work really changed my whole outlook on science fiction and sent me out on different paths in reading and writing, and Le Guin's novel is just definitive.  Interesting, both have to do with sexuality and gender identity, which plays a tangential (but as it has borne out) memorable part in the movie.

The question I have been asked about more than if Joe was Django is about one of the gaming group scenes.  Many people ask questions about the scene where the gaming group starts to rattle off their lists of attractive people they would rather be gaming with instead of their real-life friends, or tell me it was their favorite scene.  This was interesting to me because it was one of the first scenes I thought of when I decided on including the gaming group in the story.

Basically what happens is the other guys start naming off everyone they fantasize about, from Suzanne Pleshette in THE BIRDS to Linda Stirling in ZORRO'S BLACK WHIP to Lynda Carter in WONDER WOMAN.  Skinflayer counters with Gal Gadot as Wonder Woman, and her other female crushes.  Then Tangerine (Clifford Lowe) recalls his list, featuring Italian muscle men from Gordon Scott to Reg Park.  There is a brief pause, and then everyone chimes in with their favorite Hercules actors as well, to Tangerine's great relief.

There's a bit more to the scene, but basically I wanted to convey that everyone already pretty much knew about Tangerine and were fine with it, and he was the last to know that everybody already knew.  The younger Skinflayer is pretty comfortable in her own skin (so to speak), kind of showing some of the generational differences between Skinflayer and the older Tangerine.

But even more so I wanted to show something I have always felt about fandom, be it gaming or comic books or movies, which is that it should be (and most often is) about inclusion.

That's what bothers me so much about controversies like Gamergate or Comicsgate; if you are in fan culture--gaming, comics, movies, what have you--you have probably been labeled an outsider at some point.  If there is any group that should know not to put others on the outside, it's fandom.  We should always reach out to others, not put a wall between us.

Okay, as I said before, I know the movie is about a guy with a canvas sack over his head chasing around poor Erin Ryan, but I wonder if this scene resonates with people because it speaks to those who have been involved in fandom; the easy camaraderie, the support of others' ideas and views, the long friendships that can form, and so on.  People enjoying this scene has been a welcome surprise.  It reminds me, and I hope it reminds everybody, about the best part of fandom.

One more thing I would say about books in my movie actually takes place outside the frame of the film.  On the last full day of shooting, I gave my four leads--Erin Ryan, John Hambrick, Joni Durian, and Tom Cherry--each a book as a thank you for being a part of the project.  All four books are important to me and in some way influenced the movie.  Those books were Marisha Pessl's NIGHT FILM, Emily St. John Mandel's STATION ELEVEN, Ursula Le Guin's THE LATHE OF HEAVEN, and Jim Thompson's THE KILLER INSIDE ME.  If you want a good read, you can't go wrong with any of these.

More next time.

Monday, October 30, 2017

Sunday's on the Phone to Monday

This blog post first appeared earlier in my secret e-newsletter I WAS BIGFOOT'S SHEMP which you can subscribe to on the right.

 Just recently I cranked out three scripts in six weeks that would all be shot more or less simultaneously, to me an interesting exercise.  Two of those, which I refer to as THE HORRIBLE ASP and SEQUENCE SIX in this newsletter not because I signed any non-disclosures but more because the writer Warren Ellis does it and probably signs a lot of non-disclosures, are cooking along in rural Pennsylvania and the East Coast.  Director Mark Polonia is trying to beat the clock because there is a lot of boating, swimming, mysterious coves, and general outdoorsyness going on.  The third one, KRASNIKOV, can probably be shot rain or shine, snow or green.

I'm sitting here on a frost-bound Sunday morning hoping he gets it all in.

I'm getting feedback on the screenplay I wrote for myself, THE GIRL WITH THE GRINDHOUSE HEART, and after some tuning wondering whether I should just keep up with my writing timetable I've established lately and write another screenplay for myself or try NaNoWriMo, which I consider every single year and have only given a serious go once.

My brain seems entirely wired for screenwriting and not fiction, but many of my screenwriting colleagues have jumped over and adopted their previous screenplays to e-books and such.  I have said before, it seems like the e-book world is sort of a wide-open frontier with low barriers eager for content right now, just like direct-to-DVD was when I broke in all those years ago.  We will see which way I'll go.

Speaking of reading, I think it's been a minute since I recommended any books, so let me turn you on to Yuri Herrera, if you haven't been already.  I just finished THE TRANSMIGRATION OF BODIES, which takes place in a epidemic-ravaged Mexico City where a peace broker tries to solve the problems between a Romeo and Juliet-type pair of crime families.  If you chew through a lot of noir like I do, it's worth checking out for something fresh.

Hopeful to have news on a new project soon.  Thanks for reading.

Sunday, October 01, 2017

Everyone's a Superhero, Everyone's a Captain Kirk

I slipped over to HorrorHound in Indianapolis, as part of my plan to hit the convention circuit again, and found it to be a good show where I was able to connect up with a number of independent filmmakers.  They had a great independent filmmaker's panel and I ended up buying THE BLACK ROOM from Rolfe Kanefsky, a director a met some years ago who has done a lot of good work over the years.  I was also pleasantly surprised to meet b-movie king Dave Sterling, who I have worked with peripherally over the years trying to get various projects off the ground.  He palmed me a secret 16 GB USB drive which I was happy to find was chock full of his movies when I got home and plugged it in.

It's been good to get back out there a bit again, even though people really don't think it's as cool to talk to a screenwriter as, say, a director, or somebody who was in a FRIDAY THE 13TH movie.

Since I had to develop a rigorous schedule to complete three screenplays in six weeks for director Mark Polonia's three-picture deal, I decided I would just keep knuckling down and do something I very rarely get a chance to do--which is write something for myself.

I think a lot of people don't realize that a lot of b-movies already come with a title and maybe even a poster and sometimes even a plot, so as it happens I have never sold anything I wrote on my own, nor do I usually have time to write on spec even if I wanted to with a fairly steady workload.

But I've been holding onto an idea for a while, and while I'm percolating along on a strict schedule thought it might be the right time to work on it.  Since I'm writing it for myself I don't have to give it a non-disclosure name and thus will tell you loyal readers it's called THE GIRL WITH THE GRINDHOUSE HEART.  It's slow-burn psychological horror full of all the stuff I'm interested in, which is the best way to write if you are writing for yourself, I always think.  I'm about two-thirds done on a first draft.  Soon, I'm hoping to tell you a lot more about this screenplay.

Although my reading has slowed down a lot since I've done so much writing, I have been buoyed along by reading SHOCK VALUE by Jason Zinoman, which is all about how 70s horror filmmakers are awesome, which I agree with, and even more so about how DARK STAR and Dan O'Bannon are underrated, which I agree with even more.  That it is giving GRINDHOUSE HEART a 70s vibe is probably no coincidence.

Also binge-watched TOP OF THE LAKE, which isn't exactly a palette cleanser after THE HANDMAID'S TALE but does have Elisabeth Moss slaying it again and is worth watching.

Catch up with you soon.

Thursday, June 08, 2017

I'll Be Your Savior, Steadfast and True

This blog post first appeared (in a differently edited form) in my e-newsletter I WAS BIGFOOT'S SHEMP, which you can subscribe to in the sidebar of this blog.

Summer has come to the Back Five.  Mowing and trimming, putting out a garden; a big chunk of tree fell in the side yard, after a storm, and a laconic elderly man with an axe came by to chop it up for firewood; the chickens are growing, so I need to read a few chapters ahead in my chicken raising book to see when they might start laying eggs.

Speaking of chickens, some friends wondered why I was so eager to read TENDER WINGS OF DESIRE, the free romance novella KFC gave away on Kindle for Mother's Day.

Something about it resonated with me.  Surely many people downloaded it for the express purpose of making fun of it, which is why some people rent movies I wrote; in this case, many have reported back that they were surprised that it is pretty good, and straight-faced.  I have been slowly poking away at it in little spurts on the Kindle app on my phone, but I would report the same thing thus far.

But like in writing b-movies, you have to believe entirely in the world you created.  In horror fandom, they can always smell a rat when you are phoning it in, and I am guessing it is the same with romance fandom, and possibly in any fan base.  So the anonymous author had to believe in what they were doing, and do the best they could for the fans.  It's my job too, and when I see somebody else doing it, I have to give a little salute.

Plus there is the thought that a fast food franchise believed that somebody might want to read a book.  Not goof around on an app, or play Angry Fried Chickens, but sit down a read a novel.  And they were right.  That is really something to meditate on.

Loyal readers of this e-newsletter know that to escape the unbelievable fiction of world events I have been reading a lot of printed fiction.  Somehow I read eight books in May and any number I could recommend for my secret book club pick for May.  GLAXO by Hernan Ronsino was such a great hard-boiled noir I keep casting around in my mind for people to recommend it to.  THE NIGHT OCEAN by Paul La Farge was recommended to me, and is this rabbit-hole metafiction that starts with the real-life friendship of H.P. Lovecraft and a gay teenager living in Florida and grows to encompass many other real figures and all of sci-fi fandom.  But my heart is with Patton Oswalt's SILVER SCREEN FIEND.  On Earth-Two, Patton Oswalt and I grew up together and played D&D and went to movies at the old downtown Rivoli.  But for any reader it explains how anybody could love movies so much.  I listened to the audiobook version, read by Oswalt, and I would suggest you do the same.

Enjoy the long summer days and we will talk soon.

Wednesday, May 10, 2017

That Night We Split A Rattlesnake

The following blog post came from my e-newsletter I WAS BIGFOOT'S SHEMP, which you can subscribe to in the sidebar to get sneak previews of what I'm working on.

A week or so ago I was in Chicago for Trash Movie Night, where I screened JURASSIC PREY for some friendly fans. I truly enjoy visiting this group of people, even when I feel a little trickle of fear every time they cheer loudly when somebody gets murdered.  The Q&As are always good, and I even had a guy say, "I gave this movie a bad review on Amazon, but when I watched it here, I liked it better."  Nothing wrong with that.

JURASSIC PREY the movie keeps getting dynamited out of the ground after a long time just like the lead dinosaur in the story.  There is now a U.K. release, and naturally the box art looks nothing like the stop motion rubber dinosaur inside.


The British website Nerdly, which rated PETER ROTTENTAIL one of the Top Ten Worst Horror Movies of All Time, didn't hate it.  And the Schlock Pit liked it even better than hate.

On the new movie front, the secret project I titled TWICE SHY for the purposes of this e-newsletter is percolating right along for a July production shoot.  I am going to try and visit the set and may even be put to work as a PA.  I have tried in the past to PA for some of my movies and tell the director not to mention who I am so I can hear the actors say truthfully whether the script sucks or not.  I've never been able to pull it off long enough to find out for real and for true.  Having a television production background is handy for these things and also helps me realize what might take a million dollars to do in a movie that, politely, doesn't have that kind of budget.

For April my secret e-newsletter Book Club is Daniel Pyne's CATALINA EDDY.  This is three novellas, loosely threaded together, that represent different time periods and genres of crime writing.  The first, The Big Empty, is set in the 50s and is about a P-I trying to figure out who killed his estranged wife; the second, Losertown, is set in the 80s and is about a prosecutor trying to catch a big-time drug dealer; and the third, Portugese Bend, is a modern thriller about a paralyzed detective and a crime scene photographer teaming up to uncover the true identity of a murderer.  The political side is sometimes painted in broad strokes, but the California noir is pretty cool.

Good luck with your own ongoing projects, and see you soon.

Tuesday, April 25, 2017

The City of Big Shoulders (from carrying books)

I went to the Windy City Pulp and Paper Convention in Chicago this weekend and only spent 20 dollars on all of these beauties, including some Ace Doubles, a Harry Whittington MAN FROM U.N.C.L.E., a Robert Sheckley spy novel and some Walter Wager I SPY novels written as "John Tiger."  Good times.

Wednesday, April 19, 2017

Captured and Ordered in the Army of Mars

Proud to be asked to return to my old haunt, WCTV, for Red Wolves Read, a live reading event on public access television.  I chose selections from THE SIRENS OF TITAN by great Hoosier author Kurt Vonnegut, which is the first book of his I read as a teenager.  SLAUGHTERHOUSE-FIVE is one of the great novels of the 20th Century, and BREAKFAST OF CHAMPIONS is a great melancholy read for an adult, but this one will have a special place in my heart and is a good place to start for new Vonnegut fans.

Sunday, April 09, 2017

On the Book Beat



I have been reading a lot this winter, so my latest Book Beat column (for the Pomp and Circumstantial Evidence magazine, from the Magna Cum Murder Mystery Conference) has plenty to chose from.


Career of Evil by Robert Galbraith
Somebody sent London P.I. Cormoran Strike a severed leg, and he has several suspects to choose from in the latest thriller from J.K. Rowling (writing under the Robert Galbraith pseudonym) Career of Evil.
Rowling was outed as Galbraith some time ago, but it's a good thing that she is still using the name, so an unsuspecting young muggle doesn't inadvertently wander into this story.  It is chock full of adult elements, including gruesome murders and dismemberment, spousal and child abuse, and plenty of fighting and gunplay.
But it is Rowling's characters and situations that go beyond the genre trappings; Strike's troubled childhood with a rock star father, his loyal assistant Robin on the verge of making a bad-luck marriage, and various family members and friends are well drawn and interesting.
This is the third in the series, and all are recommended to mystery fans.

The Girls by Emma Cline
At the end of the 60s, at the end of her parents' marriage, a teenage girl gradually disconnects from suburbia and falls in with a growingly dangerous cult in Emma Cline's debut The Girls.
The Girls has elements of literary fiction and elements of thriller, with the obvious parallel being to the Manson murders.  But at its center Cline's novel is really about a young girl's awakening sexuality, and her attraction to a magnetic young woman in the cult.
How this relationship slowly, and then quickly, destroys lives around them is the spine of the story.
This is a solid read for those with any type of fiction interests and is recommended. 

The House Husband by James Patterson and Duane Swierczynski
A cop just a day back from maternity leave stalks a serial killer who targets families in The House Husband, from James Patterson's Bookshots line.
Bookshots are thrillers and romances in the beach read style, but at about one-fifth the size.  All are overseen by Patterson with a co-author, in this instance Duane Swierczynski, whose books and comics I have been interested in on their own merits.
This story, told in alternating chapters by the cop and the killer (who seems to lead the mild life of the house husband of the title) hits all the expected beats, but a twisty ending and a Philadelphia setting add value.
I enjoyed reading this quickly, as intended.

The Widow by Fiona Barton
A woman gradually begins to suspect that her husband is responsible for a child's disappearance in The Widow by Fiona Barton.
Barton's novel is at both times a portrait of a marriage and a psychological thriller, and the story ratchets up the tension by peeling back the onion through one revelation after the next.  Although I saw the ending coming, it was sufficiently suspenseful throughout.
The Widow benefits from having various chapters told from alternating points of view, mostly from an ambitious reporter and a dogged police detective, but also including the mother and the husband.
The Widow tries to land in the same range as The Girl on the Train and Gone Girl, with pretty good results.  For fans of thrillers.

Desperado: A Mile High Noir by Manuel Ramos
A down-on-his-luck guy reluctantly helps an old high school friend who is getting blackmailed--but when the old friend turns up dead, things quickly go from bad to worse in Desperado:  A Mile High Noir by Manuel Ramos.
Ramos hits all of the right genre beats, including a can't-win-for-losing protagonist, but adds interest by setting the story in the center of Latino culture in a gentrifying Denver.
I would recommend this novel to any noir fans, especially readers who want to hear from a different voice in the genre.

The Bastards of Pizzofalcone by Maurizio de Giovanni
A group of unwanted cops are sent to staff a precinct on the verge of closing; but when an affluent woman is murdered, they have a chance to redeem themselves both personally and professionally in The Bastards of Pizzofalcone.
This is the first novel in a new Italian crime series from Maurizio de Giovanni, bringing the lead cop over from his solid thriller The Crocodile.  Lojacono, called "The Chinaman," teams up with a handful of tarnished heroes on this and several other cases that thread throughout, as they try to hold various aspects of their personal lives together.
de Giovanni acknowledges Ed McBain and his "87th Precinct" books in the writing of this novel, and his nods to the source material show throughout.  Fans of McBain will enjoy this outing, a story that would fit right into that series but seen through a different cultural lens.
I thought the mystery was somewhat slight, but the characters and situations highly interesting, making it a fast read.

Silenced by Kristina Ohlsson
An immigrant killed in a hit and run, a vicar and his wife in a murder-suicide, and a young woman being terrorized in Bangkok are all tied together, and it's up to a special squad of Stockholm detectives to figure out how in Kristina Ohlsson's Silenced.
Ohlsson weaves a tangled plot, even more knotty with the complex backstories of the team of detectives trying to solve the various cases.  One is pregnant by a married lover, another senses trouble at home, a third is going through a volcanic divorce which is impacting his work.
Characters you can invest in, and sharp storytelling, make Silenced a satisfying read, especially for fans of Scandinavian crime stories.

The Believer by Joakim Zander
A woman in New York is a trendspotter for hip companies; back in Sweden, her younger brother Fadi becomes radicalized and heads to Syria; and in London, another woman has a laptop stolen after a night of drinking.
How these three storylines connect, and are connected to shadowy government agencies, is at the center of Swedish thriller The Believer by Joakim Zander.
This is a big, globe-trotting book ready-made for a movie adaptation starring Emily Blunt.  In the writing world, I would most closely equate Zander with late-era John LeCarre.
Slices of immigrant life in Sweden adds value to one of those big conspiracy storylines it never pays to think too hard about.

The Oslo Conspiracy by Asle Skredderberget
A young woman is murdered in Rome, and her younger brother killed in a schoolyard in Oslo; it is up to an Oslo cop with a Norwegian father and an Italian mother to stitch the two cases together in The Oslo Conspiracy from Asle Skredderberget.
I enjoy a lot of Scandinavian mysteries, but I'm not sure I've ever read one with a protagonist quite like this; typically the main characters are quite morose with myriad emotional problems, but Milo Cavalli--from a moneyed family, with plenty of girlfriends  and a penchant for globe-trotting and other fine things--is positively breezy by comparison.
The plotting is a breezier as well, reading a bit more like a beach thriller with action scenes with backdrops in various cities and a storyline featuring international business,, crime gangs, and the mysterious sinking of an Italian ship years ago.
Much lighter than the average Scandinavian thriller, for better or worse depending on one's tastes; either way quite readable.

Saturday, March 04, 2017

Riding Into the Sunset, I Wish I Could Be

I have been involved in a very active Facebook group featuring pulp fiction and pulp paperbacks of all kinds, and it is the most co-dependent group of addicts I have ever been around--most of them middle-aged guys like myself who like going down deep rabbit holes and finding offbeat stuff.  A box of westerns was going through the mail service, and you could take out what you wanted and put in stuff for the next guy.  The top row is what I took out, the bottom row what I put in.  I blame writing CALAMITY JANE'S REVENGE for my renewed interests in classic western books and movies.

Saturday, December 31, 2016

Favorite Reads of 2016

 After reading only women authors for a year, I thought I would embark on reading only authors of color, and authors in translation, for a year.  I thought these back-to-back experiments would make me a better reader and writer, and I think it was true.  I definitely sought out new voices that I might not have tried otherwise.  And below are my favorites of all that I found.

1.  The Three-Body Problem by Liu Cixin

2.  The Sympathizer by Viet Thanh Nguyen

3.  The Sorcerer of the Wildeeps by Kai Ashante Wilson

4.   The Ballad of Black Tom by Victor LaVelle

5.  Ninefox Gambit by Yoon Ha Lee

6.  The Good Lord Bird by James McBride

7.  Reputations by Juan Gabriel Vasquez

8.  The White Tiger by Aravind Adiga

9.  Moonstone by Sjón

10.  The Assimilated Cuban's Guide to Quantum Santeria by Carlos Hernandez

Happy reading!

Sunday, November 06, 2016

Book(s) of the Dead

Bad news: the only new bookstore in town went under.  Good news:  on the last day, paperbacks were ten cents each.  Here is a sampling, prioritized from a cardboard box full.

Saturday, January 10, 2015

On the Book Beat

I sort of knew going into 2014 I probably would not make it to 50 books this year; with both my kids getting married, and my grandson born on the first day of 2014, it was going to be a busy year.  But I have read 348 books in seven years, and that is nothing to sneeze at.  But per usual I will list my top reads of the year:

Total Chaos by Jean-Claude Izzo

The Son by Jo Nesbo

Mapuche by Caryl Ferey

Gone Girl by Gillian Flynn

Wolf in White Van by John Darnielle

Roadside Picnic by Arkady and Boris Strugatsky

Summertime, All the Cats Are Bored by Phillipe Georget

 The Ocean at the End of the Lane by Neil Gaiman

A Little Lumpen Novelita by Roberto Bolano

The Devotion of Suspect X by Keigo Higashino


I am changing it up this year, committing to reading only women writers in 2015 to see if I can become a better writer myself.  Check back in here to see how I'm doing.

Sunday, August 31, 2014

Read On

Some old pals pinged me on an influential/memorable books meme. This isn't a favorite books list, but a list of books that have stayed with me.

My childhood, "Have Space Suit--Will Travel" by Robert Heinlein and "A Wrinkle in Time" by Madeleine L'Engle.

My teen years, "Catch-22" by Joseph Heller, "Slaughterhouse-FIve" by Kurt Vonnegut Jr., and "Vengeance is Mine" by Mickey Spillane.

College years, "A Bend in the River" by V.S. Naipaul and "Germinal" by Emile Zola.

Adult life, "The Heat's On" by Chester B. Himes, "Stars In My Pocket Like Grains of Sand" by Samuel R. Delany, and "Valis" by Philip K. Dick.


I might have a slightly different list another day, but it's a good place to start.

Monday, January 14, 2013

Bookworms

So somehow I have read at least 50 books a year for the last five years and not burned the eyes out of my head.  Every year I pick a Top 10 favorite reads.  Below are the Top 10 for each year 2008-2012, reordered as a list of favorites from #1 to #50.  I might reorder them slightly if I were to do this again tomorrow but my top ten there are solid faves that either mean a lot to me or introduced me to new ideas or have stuck with me.  It's winter, read something!

Stars In My Pocket Like Grains of Sand by Samuel R. Delany

The Girl with the Dragon Tattoo by Stieg Larsson

Lunar Park by Brett Easton Ellis

Kafka on the Shore by Haruki Murakami

The City and The City by China Mieville

The Redbreast by Jo Nesbo

Where Men Win Glory by Jon Krakauer

The Left Hand of Darkness by Ursula K. LeGuin

Clans of the Alphane Moon by Philip K. Dick

The Yiddish Policemen's Union by Michael Chabon


 The Boy Detective Fails by Joe Meno

The Keep by Jennifer Egan

He Died With His Eyes Open by Derek Raymond

Started Early, Took My Dog by Kate Atkinson

Nobody's Angel by Jack Clark

Robbie's Wife by Russell Hill

Rule of the Bone by Russell Banks

Nineteen Seventy-Four by David Peace

The Absolutely True Story of a Part-Time Indian by Sherman Alexie


The Sisters Brothers by Patrick deWitt

The Dog Stars by Peter Heller

The Painter of Battles by Arturo Perez-Reverte

Devil May Care by Sebastian Faulks
 
The Tourist by Olen Steinhauer



Up in the Air by Walter Kirn

Juliet, Naked by Nick Hornby

 Embassytown by China Mieville

Easy Money by Jens Lapidus

The Keeper of Lost Causes by Jessi Adler-Olsen

The Last Policeman by Ben H. Winters

Ready Player One by Ernest Cline






The Eyes of the Dragon by Stephen King


The Murderer Vine by Shepard Rifkin

Heart Shaped Box by Joe Hill

An Evil Guest by Gene Wolfe


Babylon Babies by Maurice G. Dantec

Missing by Karen Alvtegen


 Gentlemen of the Road by Michael Chabon
 
The Wandering Ghost by Martin Limon

The Wheat Field by Steve Thayer

 Real World by Natsuo Kirino

The Devil's Star by Jo Nesbo

Hypothermia by Arnaldur Indridason

 Amnesia Moon by Jonathan Lethem

 Wife of the Gods by Kwei Quartey

 Citizen Vince by Jess Walter

 Bossypants by Tina Fey
 
Blackmailer by George Alexrod

His Majesty's Dragon by Naomi Novik

Resolution by Robert B. Parker