"Not 'Hollywood Independent' - writer John Oak Dalton is the real Real Thing." --Cinema Minima."Very weird and unpopular b-movies and comics."--Blogalicious. "After watching the film I am left to wonder if he had some childhood trauma he is not telling us about."--IMDB user review. "Screenwriter John Oak Dalton wanted to be in Hollywood. Instead, he's in the rustic kitchen above the Germania General Store, stirring a pot of boiling hot dogs." --The Harrisburg Patriot-News.
Friday, July 31, 2009
Bright Lights, Small City
Sunday, July 19, 2009
She Rides A Crimson Shell
I am getting dangerously hooked not only on my Kindle (just snagged some inexpensive Allan Guthrie noir) but www.paperbackswap.com, a magical place where you can get rid of modern trashy paperbacks you don't want any more and trade them for golden guilty pleasures like Samuel R. Delany and Day Keene. This site is a vast improvement over www.bookcrossing.com, in my opinion, which I often referred to as "Book Throwing Away Club."
The good news for me is that usually a big spate of reading forecasts the brain food for a long bout of writing, so stay tuned. Until later I am at johnoakdalton@hotmail.com.
Sunday, July 12, 2009
The Teeth of a Hydra
Wednesday, July 08, 2009
The Imaginary Blonde
Thursday, June 25, 2009
The Down Side of Up
Cinema Minima, a film site I have a lot of respect for in the independent/grassroots film world, recently remarked on a slow news day "Not 'Hollywood Independent'--writer John Oak Dalton is the real thing." Let this humbling statement not proceed the death knell of American Cinema.
Despite this great affirmation, like the stoic (which unkind reviewers might refer to as wooden) star of "Drag Me To Hell," I have started to wonder if I am under some sort of gypsy curse.
Both of my cars died within four weeks of each other, leaving my wife and I stranded in different cities. I cut through the ball of my thumb again while slicing a bagel. The garden hose on the outside wall leaked into the house and I came home and found the plumbers had to cut a big hole in our kitchen wall. We hiked around, as is our tradition, on Father's Day and saw a big timber rattlesnake sunning itself on the trail. Though we did not see it was a timber rattlesnake until we looked on the interwebs, which we did because when my wife (who believed it was a grass snake) poked it gently with a stick and said "Go away, honey," it rattled at her.
I do have to admit I watched "The Seventh Seal" again the other night and maybe that's where it all started. You watch a dude play chess with Death and you sort of have to take what comes. But with its eye-popping black-and-white cinematography, clear-eyed scripting, and a hard-assed performance by Max von Sydow, it is worth it. The down side is that you remember that most everything made today is disgraceful crap in comparison.
Even though I love this movie, I still love "The Bicycle Thief" more and wish I could make a movie like "Alphaville." If you have not seen these three greats, shut off the internet, set aside your Will Ferrell movie marathon, and get to work. Then come back when you get it done.
Until later I am at johnoakdalton@hotmail.com.
Sunday, June 21, 2009
Taking a Hike
Saturday, June 20, 2009
Revenge of the Great Cornholio
Wednesday, June 10, 2009
Albino Raccoon Captured
One Less Artery to Worry About
Thursday, June 04, 2009
Be Careful Not To Touch The Wall, There's A Brand New Coat of Paint
Wednesday, May 27, 2009
More Memorial Day
Storming the Beach
Monday, May 25, 2009
Friday, May 22, 2009
It Was Just Like A Great Dark Wind
I think it began when I read Raymond Chandler's "The Simple Art of Murder" and these immortal words: Down these mean streets a man must go who is not himself mean, who is neither tarnished nor afraid.
This code has taken many forms over the years and continues to evolve, with the latest addition having come since my daughter went to college. Now every time I hear the song "Sara Smile" by Hall and Oates I have made an unbreakable vow to call my daughter; even if it is at 7:15 a.m. while I am driving to work. This song has been one of her favorites from when she was a little girl and it always reminds me of her.
But I haven't heard it enough, even though I listen to a lot of oldies stations, so I have expanded this vow to include every other Hall and Oates song except for "Maneater" which I would rather listen to radio static instead. But that didn't quite cut it so I have expanded to include the song "Baby Come Back" which is actually by Player but sounds like Hall and Oates. Then "Sara" by Fleetwood Mac and "Sara" by Starship. Then every other song by Fleetwood Mac and Starship except for "We Built This City" which I would rather drive a pencil into my ear than listen to.
The detective must be a complete man and a common man and yet an unusual man. He must be, to use a rather weathered phrase, a man of honor. He talks as the man of his age talks, that is, with rude wit, a lively sense of the grotesque, a disgust for sham, and a contempt for pettiness.
Until the next song, I am at johnoakdalton@hotmail.com.
Tuesday, May 12, 2009
I Was Feeling Kinda Seasick
In other entertainment news, I am watching "Parks and Recreation" closely. Not because I hope that they realize they can improve the show dramatically by allowing Rashida Jones to wear a pantsuit like her mother, Peggy Lipton, was so famous for in "The Mod Squad." It is more to be on alert for unfavorable portrayals of Hoosiers.
Loyal readers may recall my campaign against "Studio 60 on the Sunset Strip," who made fun of my alma mater's basketball team with an ill-disguised jab at "Muncie State," thus inspiring my ire and ridicule. Few things have drawn as much attention to this blog from other sites (except for when I wrote about how my wife saw Maura Tierney and Goran Visnjic in Chicago taping "ER," drawing links from many Croatian "ER" fans), and my jibes at the shaky plotting and leaps in logic were surprisingly repeated on some TV fan sites.
All I can say in retrospect is that I am still blogging and "Studio 60" is off the air. Whether Aaron Sorkin is still weeping bitter tears at night over my witty and incisive posts, I have never learned.
So far "Parks and Recreation" is doing okay. They have accurately portrayed Hoosiers' love for Bobby Knight and Larry Bird, though they have overlooked other Gods in our Pantheon, among them Reggie Miller, Steve Alford, Bobby Plump, and the newly-elevated Peyton Manning.
But one thing.
We do NOT wear brown suits! At least, I haven't seen any since I visited my dad's Kiwanis meetings in the early 80s. Our great Flyover Country does get regular delivery of Old Navy clothes!
I will continue vigilantly monitoring potential defamation of Hoosiers; until then, I am at johnoakdalton@hotmail.com.
Monday, May 04, 2009
You Are The Magnet
Thursday, April 30, 2009
The Curse It Is Cast
Monday, April 20, 2009
Sweet Peter Rottentail

Saturday, March 21, 2009
The Bright Elusive Butterfly of Love
In the meantime, I am off to the Phantoscope Film Festival today, in its third great year with perhaps the strongest lineup yet. If that is because I was not invited back to the roundtable discussion and in fact will spend most of the time either behind the projector or behind a camera taping the event is for the reader to decide.
See you at the Fest, or you can always catch me at johnoakdalton@hotmail.com.
Saturday, March 14, 2009
The Pounding of the Drums, the Pride and Disgrace
So I broke out a filling and had to get a root canal and then, while enjoying a nice meal at this restaurant in Ohio, broke my root canal and then had to go get a crown put on. Some script money I just made went right into my mouth instead of up my nose like my Hollywood brethren. Went through Cincinnati in a Vicodin haze but enjoyed a visit to Jungle Jim's. Cars breaking down, puppies vomiting up, FAFSAs and taxes, drama all around, a rain of frogs. A trip to Memphis for Spring Break drizzled down to a good piece of pie at a diner yesterday in Centerville, Indiana. Now here I am enjoying some nice fresh scones my wife baked this morning and getting back on the beam.
On my "Nerd Bucket List" for 2009 I have been doing alright amidst the chaos. I bumped into filmmaker Zack Parker, both of us getting an oil change at WalMart in Richmond Indiana, and gave him that script coverage I promised; I supposed that's what living in L.A. must be like. I am getting caught up on emails and am catching up on writing recommendations on LinkedIn like I promised. I still have more to do but am doing better than I was.
I have been foiled twice in going to see Watchmen with my son, but we are going to try again next Sunday. I loaned him the graphic novel to read and he, like legions of comic book fans before him, got blown away. But probably not as much as we did way back in the day.
It's hard to describe to somebody today what it was like when we saw it on the shelves. Back then in the 80s you might get a Hawkman and Atom team-up where they fight a gorilla with a robot brain. Then all of a suddent there's this dark, apocalyptic story like nothing we'd ever seen (of course, we had not seen 2000 A.D. yet where all of this was going on prior).
The first time I saw a Watchmen comic it was lying on a table at my old pal Eric Mayse's house, who later went to work for Todd McFarlane (curiously, the toy figure Cornboy was based on him). It was the final, death-dealing issue (which was fine, as I always like to read the endings first in books) and I could not fathom some of the last few pages in the context of what I was reading at the time. Suddenly it seemed okay to read comics again and I didn't have to pretend I was buying them for my son.
I think it's interesting how Alan Moore has become more sunny since then, especially his milestone Silver-Age musings in Supreme (which I think deserves wider mainstream recognition). Moore, like the rest of us, got milder and more philosophical over time; though he spawned a decade of darker and more violent comics, and I wonder what he thinks about that overall today.
Last week I finished judging the Phantoscope Film Festival, and think we will have a good lineup this year. If I don't see you at the Fest this Saturday, you can always catch me at johnoakdalton@hotmail.com.
Wednesday, February 25, 2009
Remembering John Polonia: One Year Later
John was an incredibly funny person who enjoyed home and family life and could talk movies with a great fervor. He turned this love of movies into a memorable filmmaking career.
John was a good friend to me and a lot of other filmmakers. He was a great lover of cinema and had a vast collection of movies stored on the shelves of his home and in his brain. He had a dream to make movies and lived that dream every single day since his teenage years. I spoke with him a few weeks ago about a new project I would rewrite over one of his scripts and he was as excited about these upcoming prospects as he was about every project.
I think we are too close to the Polonia Brothers' legacy for it to be properly measured. They first got distribution as teenagers and are noted for having one of the first shot on SVHS features to be accepted at Blockbuster. They produced and directed more than 30 features in 20-some years that were distributed direct to video. They were incredibly prolific and successful together and embraced a large fan base while being courteous to foes. Their role in the rise of VHS rentals, the mom and pop stores, the SOV era, and then the direct-to-video DVD boom, will have to be noted much farther down the timeline to see what they have really meant as people and professionals.
I can say in total honesty I have never met anyone like John. When I first saw "Blood Red Planet" I knew the Brothers were special as very unique filmmakers and I later came to learn they were incredible individuals as well.
You can read my original posts, with photos, blog comments, and links to other tributes, here, here, here, here, and here.
I was thinking about the last time I saw John Polonia. My family was returning from a trip to the east coast and stopped in Wellsboro, Pennsylvania on the way back to spend the night and visit with the Polonia Brothers. John and Mark and I sat on John's porch late at night and talked about movies.
Even though John knew about the Polonia Brothers Fan Club and various reviews and all the people they knew and helped in the industry he always took an ironic tone with their fame/infamy. But I think he would have been pleasantly surprised at all of the website memorials and tribute videos on YouTube and so on that came out in the wake of his death.
At the viewing, I could just imagine John looking at all of the former cast and crew people there and saying, "Let's make a movie." It was the main sentiment he shared at a surprise birthday party that was thrown for the Brothers a few years before. I have no doubt that in that long weekend he could have cooked up a good one.
John was, ultimately, a family man who lived in a small town, down the street from his twin brother, who loved making movies. It was a purity of purpose and surety of self that I aspire to.
Tuesday, February 24, 2009
I Keep Holdin' On Enough To Say
If I seem suddenly cooler it is because I am updating from my new (to me) Mac G4. Now, to the mailbag:
New reader Adrienne writes that she is not an Oscars fan, but "maybe we'll start when you're up for an award...It's genuine, you are our best hope." Sadly, Adrienne basically wrote that she has to throw her television in the dumpster.
Loyal reader Jim writes "Just added Among Us, Peter Rottentail, and your other films to our Netflix disc and Watch Instantly queues." As Jim is Adrienne's husband, I fear his television is going to end up in the dumpster one way or the other.
Seriously, though, I hope they enjoy them, and I appreciate Netflix for putting them up there; and for delivering me a steady stream of DVDs at home, a welcome treat when I live half an hour from the nearest Blockbuster and ten minutes from the nearest video store of any kind, which is a Redbox at a MacDonald's.
New projects always bubbling; until later I am at johnoakdalton@hotmail.com.