Thanks to the Horror Society for hosting me and JURASSIC PREY at Fat Cat Chicago Monday night! Really good Q&A and a lot of fun. I have been there three times, twice as a guest (with this film and SEX MACHINE) and once watching my pal Henrique Couto screen BABYSITTER MASSACRE, and I have always enjoyed the Chicago horror fans, who aren't afraid to yell at the screen when they spot inconsistencies and cheer on murder, which may seem a little out of context to outsiders.
"Not 'Hollywood Independent' - writer John Oak Dalton is the real Real Thing." --Cinema Minima."Very weird and unpopular b-movies and comics."--Blogalicious. "After watching the film I am left to wonder if he had some childhood trauma he is not telling us about."--IMDB user review. "Screenwriter John Oak Dalton wanted to be in Hollywood. Instead, he's in the rustic kitchen above the Germania General Store, stirring a pot of boiling hot dogs." --The Harrisburg Patriot-News.
Thursday, April 27, 2017
Tuesday, April 25, 2017
The City of Big Shoulders (from carrying books)
I went to the Windy City Pulp and Paper Convention in Chicago this weekend and only spent 20 dollars on all of these beauties, including some Ace Doubles, a Harry Whittington MAN FROM U.N.C.L.E., a Robert Sheckley spy novel and some Walter Wager I SPY novels written as "John Tiger." Good times.
Saturday, April 22, 2017
Walk the Dinosaur
This post first appeared, in a slightly different form, in the e-newsletter I WAS BIGFOOT'S SHEMP, which you can subscribe to in the sidebar.
I have been off the grid a bit lately. For one, I have been building a DIY chicken coop, carefully designed by my dad, for the last six weekends, pounding nails until my hands throbbed. Secondly, I just wrapped on a new freelance project.
I had been turning down work for a while--what with moving, and probably the busiest year I've ever had at the day job in a long time, I'd decided I needed to go away for a bit. Sometimes I feel like I have to do like Lestat did in INTERVIEW WITH A VAMPIRE--burrow down into the ground and pop out a long time later as somebody else. But I didn't feel like being gone quite so long.
I have patterned a lot of my e-newsletter on the one I admire from writer Warren Ellis, who comes up with code names for all the projects he is working on under nondisclosure, only revealing them when they become real. So in that spirit I am calling this one TWICE SHY even though I can't tell you the real name anyway because I'm not sure one has stuck. I'm getting to the point of only wanting to do projects that really catch fire for me, and this one did; an opportunity to write a second movie on a topic I like, and a chance to set it in a different time period--in this case, that ancient forgotten era that represents my early teen years.
If all goes well, this one should lens in June, and I was asked if I was interested in visiting the set, which a writer should never take lightly as by and large nobody wants to see you anymore after the screenplay is turned in. So it's flattering, and I think I will try to do so.
I am headed back to Chicago on Monday, April 24 for another Horror Society Trash Movie Night where the lunatics of the Horror Society will be screening my rubber dinosaur epic mockbuster JURASSIC PREY (which I wrote under the title MEATEATERS before it was mockbusted). For better or for worse, this is the screenplay that helped bring me out of a years-long self-imposed exile because I couldn't turn down writing a stop-motion dinosaur movie for my old friend Mark Polonia (that and HAUNTED HOUSE ON SORORITY ROW for director Henrique Couto, because I couldn't turn down writing a movie where the only superfluous word in the title was "on." Speaking of flattered, I was very flattered to be asked back after just screening SEX MACHINE there in December. It was flat cold zero with about a half foot of snow or more last time, so I think we can do better on weather this time--though it's still April in Chicago, so it's a tossup.
I'm a little behind on my secret e-newsletter Book Club, so let me get both February and March out of the way. I can't get John Darnielle's creepy UNIVERSAL HARVESTER out of my mind, a skin-crawling sketch of midwestern life centered around weird footage spliced into VHS rentals at a lonely store in rural Iowa. Next I have to recommend the absolutely bats PIRATE UTOPIA by Bruce Sterling, a post-World War I-era thriller about a little upstart sliver of a country between Yugoslavia and Italy chock full of anarchists and rebels with names like "The Art Witch" and "The Ace of Hearts"--all the more crazy because it is (somewhat) grounded in real events.
Talk to you again soon, thanks for sticking with me.
I have been off the grid a bit lately. For one, I have been building a DIY chicken coop, carefully designed by my dad, for the last six weekends, pounding nails until my hands throbbed. Secondly, I just wrapped on a new freelance project.
I had been turning down work for a while--what with moving, and probably the busiest year I've ever had at the day job in a long time, I'd decided I needed to go away for a bit. Sometimes I feel like I have to do like Lestat did in INTERVIEW WITH A VAMPIRE--burrow down into the ground and pop out a long time later as somebody else. But I didn't feel like being gone quite so long.
I have patterned a lot of my e-newsletter on the one I admire from writer Warren Ellis, who comes up with code names for all the projects he is working on under nondisclosure, only revealing them when they become real. So in that spirit I am calling this one TWICE SHY even though I can't tell you the real name anyway because I'm not sure one has stuck. I'm getting to the point of only wanting to do projects that really catch fire for me, and this one did; an opportunity to write a second movie on a topic I like, and a chance to set it in a different time period--in this case, that ancient forgotten era that represents my early teen years.
If all goes well, this one should lens in June, and I was asked if I was interested in visiting the set, which a writer should never take lightly as by and large nobody wants to see you anymore after the screenplay is turned in. So it's flattering, and I think I will try to do so.
I am headed back to Chicago on Monday, April 24 for another Horror Society Trash Movie Night where the lunatics of the Horror Society will be screening my rubber dinosaur epic mockbuster JURASSIC PREY (which I wrote under the title MEATEATERS before it was mockbusted). For better or for worse, this is the screenplay that helped bring me out of a years-long self-imposed exile because I couldn't turn down writing a stop-motion dinosaur movie for my old friend Mark Polonia (that and HAUNTED HOUSE ON SORORITY ROW for director Henrique Couto, because I couldn't turn down writing a movie where the only superfluous word in the title was "on." Speaking of flattered, I was very flattered to be asked back after just screening SEX MACHINE there in December. It was flat cold zero with about a half foot of snow or more last time, so I think we can do better on weather this time--though it's still April in Chicago, so it's a tossup.
I'm a little behind on my secret e-newsletter Book Club, so let me get both February and March out of the way. I can't get John Darnielle's creepy UNIVERSAL HARVESTER out of my mind, a skin-crawling sketch of midwestern life centered around weird footage spliced into VHS rentals at a lonely store in rural Iowa. Next I have to recommend the absolutely bats PIRATE UTOPIA by Bruce Sterling, a post-World War I-era thriller about a little upstart sliver of a country between Yugoslavia and Italy chock full of anarchists and rebels with names like "The Art Witch" and "The Ace of Hearts"--all the more crazy because it is (somewhat) grounded in real events.
Talk to you again soon, thanks for sticking with me.
Wednesday, April 19, 2017
Captured and Ordered in the Army of Mars
Proud to be asked to return to my old haunt, WCTV, for Red Wolves Read, a live reading event on public access television. I chose selections from THE SIRENS OF TITAN by great Hoosier author Kurt Vonnegut, which is the first book of his I read as a teenager. SLAUGHTERHOUSE-FIVE is one of the great novels of the 20th Century, and BREAKFAST OF CHAMPIONS is a great melancholy read for an adult, but this one will have a special place in my heart and is a good place to start for new Vonnegut fans.
Sunday, April 09, 2017
On the Book Beat
I have been reading a lot this winter, so my latest Book Beat column (for the Pomp and Circumstantial Evidence magazine, from the Magna Cum Murder Mystery Conference) has plenty to chose from.
Career of Evil by Robert Galbraith
Somebody sent London P.I. Cormoran Strike a severed leg, and he
has several suspects to choose from in the latest thriller from J.K. Rowling
(writing under the Robert Galbraith pseudonym) Career of Evil.
Rowling was outed as Galbraith some time ago, but it's a good
thing that she is still using the name, so an unsuspecting young muggle doesn't
inadvertently wander into this story. It is chock full of adult elements,
including gruesome murders and dismemberment, spousal and child abuse, and
plenty of fighting and gunplay.
But it is Rowling's characters and situations that go beyond the
genre trappings; Strike's troubled childhood with a rock star father, his loyal
assistant Robin on the verge of making a bad-luck marriage, and various family
members and friends are well drawn and interesting.
This is the third in the series, and all are recommended to
mystery fans.
The Girls by Emma Cline
At the end of the 60s, at the end of her parents' marriage, a
teenage girl gradually disconnects from suburbia and falls in with a growingly
dangerous cult in Emma Cline's debut The Girls.
The Girls has elements of literary fiction and elements of
thriller, with the obvious parallel being to the Manson murders. But at
its center Cline's novel is really about a young girl's awakening sexuality,
and her attraction to a magnetic young woman in the cult.
How this relationship slowly, and then quickly, destroys lives
around them is the spine of the story.
This is a solid read for those with any type of fiction
interests and is recommended.
The House Husband by James Patterson and Duane Swierczynski
A cop just a day back from maternity leave stalks a serial killer
who targets families in The House Husband, from James Patterson's Bookshots
line.
Bookshots are thrillers and romances in the beach read style,
but at about one-fifth the size. All are overseen by Patterson with a
co-author, in this instance Duane Swierczynski, whose books and comics I have
been interested in on their own merits.
This story, told in alternating chapters by the cop and the
killer (who seems to lead the mild life of the house husband of the title) hits
all the expected beats, but a twisty ending and a Philadelphia setting add
value.
I enjoyed reading this quickly, as intended.
The Widow by Fiona Barton
A woman gradually begins to suspect that her husband is
responsible for a child's disappearance in The Widow by Fiona Barton.
Barton's novel is at both times a portrait of a marriage and a
psychological thriller, and the story ratchets up the tension by peeling back
the onion through one revelation after the next. Although I saw the
ending coming, it was sufficiently suspenseful throughout.
The Widow benefits from having various chapters told from
alternating points of view, mostly from an ambitious reporter and a dogged
police detective, but also including the mother and the husband.
The Widow tries to land in the same range as The Girl on the
Train and Gone Girl, with pretty good results. For fans of thrillers.
Desperado: A Mile High Noir by Manuel Ramos
A down-on-his-luck guy reluctantly helps an old high school
friend who is getting blackmailed--but when the old friend turns up dead,
things quickly go from bad to worse in Desperado: A Mile High Noir by
Manuel Ramos.
Ramos hits all of the right genre beats, including a
can't-win-for-losing protagonist, but adds interest by setting the story in the
center of Latino culture in a gentrifying Denver.
I would recommend this novel to any noir fans, especially
readers who want to hear from a different voice in the genre.
The Bastards of Pizzofalcone by Maurizio de Giovanni
A group of unwanted cops are sent to staff a precinct on the
verge of closing; but when an affluent woman is murdered, they have a chance to
redeem themselves both personally and professionally in The Bastards of
Pizzofalcone.
This is the first novel in a new Italian crime series from
Maurizio de Giovanni, bringing the lead cop over from his solid thriller The
Crocodile. Lojacono, called "The Chinaman," teams up with a
handful of tarnished heroes on this and several other cases that thread
throughout, as they try to hold various aspects of their personal lives
together.
de Giovanni acknowledges Ed McBain and his "87th
Precinct" books in the writing of this novel, and his nods to the source
material show throughout. Fans of McBain will enjoy this outing, a story
that would fit right into that series but seen through a different cultural
lens.
I thought the mystery was somewhat slight, but the characters
and situations highly interesting, making it a fast read.
Silenced by Kristina Ohlsson
An immigrant killed in a hit and run, a vicar and his wife in a
murder-suicide, and a young woman being terrorized in Bangkok are all tied
together, and it's up to a special squad of Stockholm detectives to figure out
how in Kristina Ohlsson's Silenced.
Ohlsson weaves a tangled plot, even more knotty with the complex
backstories of the team of detectives trying to solve the various cases.
One is pregnant by a married lover, another senses trouble at home, a third is
going through a volcanic divorce which is impacting his work.
Characters you can invest in, and sharp storytelling, make
Silenced a satisfying read, especially for fans of Scandinavian crime stories.
The Believer by Joakim Zander
A woman in New York is a trendspotter for hip companies; back in
Sweden, her younger brother Fadi becomes radicalized and heads to Syria; and in
London, another woman has a laptop stolen after a night of drinking.
How these three storylines connect, and are connected to shadowy
government agencies, is at the center of Swedish thriller The Believer by
Joakim Zander.
This is a big, globe-trotting book ready-made for a movie
adaptation starring Emily Blunt. In the writing world, I would most
closely equate Zander with late-era John LeCarre.
Slices of immigrant life in Sweden adds value to one of those
big conspiracy storylines it never pays to think too hard about.
The Oslo Conspiracy by Asle Skredderberget
A young woman is murdered in Rome, and her younger brother
killed in a schoolyard in Oslo; it is up to an Oslo cop with a Norwegian father
and an Italian mother to stitch the two cases together in The Oslo Conspiracy
from Asle Skredderberget.
I enjoy a lot of Scandinavian mysteries, but I'm not sure I've
ever read one with a protagonist quite like this; typically the main characters
are quite morose with myriad emotional problems, but Milo Cavalli--from a
moneyed family, with plenty of girlfriends and a penchant for
globe-trotting and other fine things--is positively breezy by comparison.
The plotting is a breezier as well, reading a bit more like a
beach thriller with action scenes with backdrops in various cities and a
storyline featuring international business,, crime gangs, and the mysterious
sinking of an Italian ship years ago.
Much lighter than the average Scandinavian thriller, for better
or worse depending on one's tastes; either way quite readable.
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