Saturday, December 26, 2009
Friday, November 27, 2009
Saturday, October 31, 2009
Sunday, September 06, 2009
Monday, August 31, 2009
Sunday, August 16, 2009
Friday, August 14, 2009
Wednesday, August 12, 2009
Saturday, August 08, 2009
Thursday, August 06, 2009
Friday, July 31, 2009
Sunday, July 19, 2009
I am getting dangerously hooked not only on my Kindle (just snagged some inexpensive Allan Guthrie noir) but www.paperbackswap.com, a magical place where you can get rid of modern trashy paperbacks you don't want any more and trade them for golden guilty pleasures like Samuel R. Delany and Day Keene. This site is a vast improvement over www.bookcrossing.com, in my opinion, which I often referred to as "Book Throwing Away Club."
The good news for me is that usually a big spate of reading forecasts the brain food for a long bout of writing, so stay tuned. Until later I am at firstname.lastname@example.org.
Sunday, July 12, 2009
Wednesday, July 08, 2009
Thursday, June 25, 2009
Cinema Minima, a film site I have a lot of respect for in the independent/grassroots film world, recently remarked on a slow news day "Not 'Hollywood Independent'--writer John Oak Dalton is the real thing." Let this humbling statement not proceed the death knell of American Cinema.
Despite this great affirmation, like the stoic (which unkind reviewers might refer to as wooden) star of "Drag Me To Hell," I have started to wonder if I am under some sort of gypsy curse.
Both of my cars died within four weeks of each other, leaving my wife and I stranded in different cities. I cut through the ball of my thumb again while slicing a bagel. The garden hose on the outside wall leaked into the house and I came home and found the plumbers had to cut a big hole in our kitchen wall. We hiked around, as is our tradition, on Father's Day and saw a big timber rattlesnake sunning itself on the trail. Though we did not see it was a timber rattlesnake until we looked on the interwebs, which we did because when my wife (who believed it was a grass snake) poked it gently with a stick and said "Go away, honey," it rattled at her.
I do have to admit I watched "The Seventh Seal" again the other night and maybe that's where it all started. You watch a dude play chess with Death and you sort of have to take what comes. But with its eye-popping black-and-white cinematography, clear-eyed scripting, and a hard-assed performance by Max von Sydow, it is worth it. The down side is that you remember that most everything made today is disgraceful crap in comparison.
Even though I love this movie, I still love "The Bicycle Thief" more and wish I could make a movie like "Alphaville." If you have not seen these three greats, shut off the internet, set aside your Will Ferrell movie marathon, and get to work. Then come back when you get it done.
Until later I am at email@example.com.
Sunday, June 21, 2009
Saturday, June 20, 2009
Wednesday, June 10, 2009
Thursday, June 04, 2009
Wednesday, May 27, 2009
Monday, May 25, 2009
Friday, May 22, 2009
I think it began when I read Raymond Chandler's "The Simple Art of Murder" and these immortal words: Down these mean streets a man must go who is not himself mean, who is neither tarnished nor afraid.
This code has taken many forms over the years and continues to evolve, with the latest addition having come since my daughter went to college. Now every time I hear the song "Sara Smile" by Hall and Oates I have made an unbreakable vow to call my daughter; even if it is at 7:15 a.m. while I am driving to work. This song has been one of her favorites from when she was a little girl and it always reminds me of her.
But I haven't heard it enough, even though I listen to a lot of oldies stations, so I have expanded this vow to include every other Hall and Oates song except for "Maneater" which I would rather listen to radio static instead. But that didn't quite cut it so I have expanded to include the song "Baby Come Back" which is actually by Player but sounds like Hall and Oates. Then "Sara" by Fleetwood Mac and "Sara" by Starship. Then every other song by Fleetwood Mac and Starship except for "We Built This City" which I would rather drive a pencil into my ear than listen to.
The detective must be a complete man and a common man and yet an unusual man. He must be, to use a rather weathered phrase, a man of honor. He talks as the man of his age talks, that is, with rude wit, a lively sense of the grotesque, a disgust for sham, and a contempt for pettiness.
Until the next song, I am at firstname.lastname@example.org.
Tuesday, May 12, 2009
In other entertainment news, I am watching "Parks and Recreation" closely. Not because I hope that they realize they can improve the show dramatically by allowing Rashida Jones to wear a pantsuit like her mother, Peggy Lipton, was so famous for in "The Mod Squad." It is more to be on alert for unfavorable portrayals of Hoosiers.
Loyal readers may recall my campaign against "Studio 60 on the Sunset Strip," who made fun of my alma mater's basketball team with an ill-disguised jab at "Muncie State," thus inspiring my ire and ridicule. Few things have drawn as much attention to this blog from other sites (except for when I wrote about how my wife saw Maura Tierney and Goran Visnjic in Chicago taping "ER," drawing links from many Croatian "ER" fans), and my jibes at the shaky plotting and leaps in logic were surprisingly repeated on some TV fan sites.
All I can say in retrospect is that I am still blogging and "Studio 60" is off the air. Whether Aaron Sorkin is still weeping bitter tears at night over my witty and incisive posts, I have never learned.
So far "Parks and Recreation" is doing okay. They have accurately portrayed Hoosiers' love for Bobby Knight and Larry Bird, though they have overlooked other Gods in our Pantheon, among them Reggie Miller, Steve Alford, Bobby Plump, and the newly-elevated Peyton Manning.
But one thing.
We do NOT wear brown suits! At least, I haven't seen any since I visited my dad's Kiwanis meetings in the early 80s. Our great Flyover Country does get regular delivery of Old Navy clothes!
I will continue vigilantly monitoring potential defamation of Hoosiers; until then, I am at email@example.com.
Monday, May 04, 2009
Thursday, April 30, 2009
Monday, April 20, 2009
Saturday, March 21, 2009
In the meantime, I am off to the Phantoscope Film Festival today, in its third great year with perhaps the strongest lineup yet. If that is because I was not invited back to the roundtable discussion and in fact will spend most of the time either behind the projector or behind a camera taping the event is for the reader to decide.
See you at the Fest, or you can always catch me at firstname.lastname@example.org.
Saturday, March 14, 2009
So I broke out a filling and had to get a root canal and then, while enjoying a nice meal at this restaurant in Ohio, broke my root canal and then had to go get a crown put on. Some script money I just made went right into my mouth instead of up my nose like my Hollywood brethren. Went through Cincinnati in a Vicodin haze but enjoyed a visit to Jungle Jim's. Cars breaking down, puppies vomiting up, FAFSAs and taxes, drama all around, a rain of frogs. A trip to Memphis for Spring Break drizzled down to a good piece of pie at a diner yesterday in Centerville, Indiana. Now here I am enjoying some nice fresh scones my wife baked this morning and getting back on the beam.
On my "Nerd Bucket List" for 2009 I have been doing alright amidst the chaos. I bumped into filmmaker Zack Parker, both of us getting an oil change at WalMart in Richmond Indiana, and gave him that script coverage I promised; I supposed that's what living in L.A. must be like. I am getting caught up on emails and am catching up on writing recommendations on LinkedIn like I promised. I still have more to do but am doing better than I was.
I have been foiled twice in going to see Watchmen with my son, but we are going to try again next Sunday. I loaned him the graphic novel to read and he, like legions of comic book fans before him, got blown away. But probably not as much as we did way back in the day.
It's hard to describe to somebody today what it was like when we saw it on the shelves. Back then in the 80s you might get a Hawkman and Atom team-up where they fight a gorilla with a robot brain. Then all of a suddent there's this dark, apocalyptic story like nothing we'd ever seen (of course, we had not seen 2000 A.D. yet where all of this was going on prior).
The first time I saw a Watchmen comic it was lying on a table at my old pal Eric Mayse's house, who later went to work for Todd McFarlane (curiously, the toy figure Cornboy was based on him). It was the final, death-dealing issue (which was fine, as I always like to read the endings first in books) and I could not fathom some of the last few pages in the context of what I was reading at the time. Suddenly it seemed okay to read comics again and I didn't have to pretend I was buying them for my son.
I think it's interesting how Alan Moore has become more sunny since then, especially his milestone Silver-Age musings in Supreme (which I think deserves wider mainstream recognition). Moore, like the rest of us, got milder and more philosophical over time; though he spawned a decade of darker and more violent comics, and I wonder what he thinks about that overall today.
Last week I finished judging the Phantoscope Film Festival, and think we will have a good lineup this year. If I don't see you at the Fest this Saturday, you can always catch me at email@example.com.
Wednesday, February 25, 2009
John was an incredibly funny person who enjoyed home and family life and could talk movies with a great fervor. He turned this love of movies into a memorable filmmaking career.
John was a good friend to me and a lot of other filmmakers. He was a great lover of cinema and had a vast collection of movies stored on the shelves of his home and in his brain. He had a dream to make movies and lived that dream every single day since his teenage years. I spoke with him a few weeks ago about a new project I would rewrite over one of his scripts and he was as excited about these upcoming prospects as he was about every project.
I think we are too close to the Polonia Brothers' legacy for it to be properly measured. They first got distribution as teenagers and are noted for having one of the first shot on SVHS features to be accepted at Blockbuster. They produced and directed more than 30 features in 20-some years that were distributed direct to video. They were incredibly prolific and successful together and embraced a large fan base while being courteous to foes. Their role in the rise of VHS rentals, the mom and pop stores, the SOV era, and then the direct-to-video DVD boom, will have to be noted much farther down the timeline to see what they have really meant as people and professionals.
I can say in total honesty I have never met anyone like John. When I first saw "Blood Red Planet" I knew the Brothers were special as very unique filmmakers and I later came to learn they were incredible individuals as well.
You can read my original posts, with photos, blog comments, and links to other tributes, here, here, here, here, and here.
I was thinking about the last time I saw John Polonia. My family was returning from a trip to the east coast and stopped in Wellsboro, Pennsylvania on the way back to spend the night and visit with the Polonia Brothers. John and Mark and I sat on John's porch late at night and talked about movies.
Even though John knew about the Polonia Brothers Fan Club and various reviews and all the people they knew and helped in the industry he always took an ironic tone with their fame/infamy. But I think he would have been pleasantly surprised at all of the website memorials and tribute videos on YouTube and so on that came out in the wake of his death.
At the viewing, I could just imagine John looking at all of the former cast and crew people there and saying, "Let's make a movie." It was the main sentiment he shared at a surprise birthday party that was thrown for the Brothers a few years before. I have no doubt that in that long weekend he could have cooked up a good one.
John was, ultimately, a family man who lived in a small town, down the street from his twin brother, who loved making movies. It was a purity of purpose and surety of self that I aspire to.
Tuesday, February 24, 2009
If I seem suddenly cooler it is because I am updating from my new (to me) Mac G4. Now, to the mailbag:
New reader Adrienne writes that she is not an Oscars fan, but "maybe we'll start when you're up for an award...It's genuine, you are our best hope." Sadly, Adrienne basically wrote that she has to throw her television in the dumpster.
Loyal reader Jim writes "Just added Among Us, Peter Rottentail, and your other films to our Netflix disc and Watch Instantly queues." As Jim is Adrienne's husband, I fear his television is going to end up in the dumpster one way or the other.
Seriously, though, I hope they enjoy them, and I appreciate Netflix for putting them up there; and for delivering me a steady stream of DVDs at home, a welcome treat when I live half an hour from the nearest Blockbuster and ten minutes from the nearest video store of any kind, which is a Redbox at a MacDonald's.
New projects always bubbling; until later I am at firstname.lastname@example.org.
Sunday, February 15, 2009
Friday, February 13, 2009
I am old and tired, it is February, it has gone from a foot of snow to tornadoes, and I have to have a root canal Tuesday.
On the bright side, for my readers who are horror fans, it is Friday the 13th. Those who have been, from their own perspectives, blessed or cursed by seeing a number of my movies might be surprised to learn that I missed pretty much all of the slasher genre of the 80s and thus do not feel the same resonance that some do at this holiday. I grew up on Japanese rubber monsters, Italian sandal epics, Mexican wrestling, and Russian Sci-Fi, but I had a long layoff from genre stuff in the 80s when I went to college and actually studied film. instead turning my mind towards Italian Neorealism, French New Wave, and so on.
In the late 90s I smelled a trend, like the boom of the mom and pop video stores in the late 80s that gave rise to many of my peers launching their careers when the content-starved VHS pipe opened up. I thought the same thing would happen again with DVD, and I felt that genre projects would be most needed. I was right, though loyal readers know I have been wrong; I once said that CDs would never catch on, as they were "just little records."
I gave myself a crash course in horror, and though I have still some gaps in my knowledge of giallo and Paul Naschy werewolf movies I think I was able to get caught up. I still don't understand the slasher genre, though those raised in the 80s probably feel that same twang that I feel about the original 70s Dawn of the Dead (I know the remake's supposed to be decent, but still).
That being said, if anybody wants to see the new Friday the 13th, I'm game (But I'd rather see Coraline). I try to follow trends and study likes and dislikes for future projects. As I have said before to loyal readers, writing is a craft that can be learned. It is not achieved by sitting under a tree in your boxers waiting for the muse, or, as I know some have speculated about my work, banging your butt cheeks up and down on a keyboard until a script coughs out.
Along the way, I became more of a fan again (Which was why I was thrilled anew when Fangoria mentioned me here). A good thing, because one thing I have learned about genre fans is that they can smell a rat. If you think genre writing is easy and anyone can just "bang it out," the fans will know. The other side of that is that genre fans are the most loyal fans there are (as seen by this very blog which, unbelievably, thousands have returned to from time to time). No less a person than screenwriter Michael Tolkin taught me that (he also once wrote me an email, believe it or don't).
Along those lines, some potentially interesting projects on the horizon; until later I am at email@example.com.
Thursday, February 05, 2009
If I might put on my day job hat for a moment, I think it is a good thing the digital transition has been moved. If you are reading this blog, or follow me on Twitter, or are my friend on Facebook, or are my colleague on LinkedIn, you are fine with the digital transition. But there are millions of people that aren't. Many of them I talk to every day, who don't know what's going on. There are many, many technically naive people who would be left out in the cold. Allow me to give some anonymous examples:
ANONYMOUS DAD: I need to use the internet at your house. Is it the same internet we have at work?
ANONYMOUS SON: Dad, it's the same internet.
ANONYMOUS FATHER-IN-LAW (OVER PHONE): I can't get the internet to work.
(Anonymous son-in-law tries to troubleshoot)
ANONYMOUS SON-IN-LAW: Wait, aren't you on dial-up?
ANONYMOUS FATHER-IN-LAW (OVER PHONE): Yes, I'm trying it right now.
ANONYMOUS SON-IN-LAW: You're going to have to hang up the phone now.
ANONYMOUS PROFESSOR CALLING HELPDESK: I can't find a video projector in this classroom.
ANONYMOUS HELPDESK PERSON: Did you look on the ceiling?
ANONYMOUS PROFESSOR CALLING HELPDESK: All that's there is something called a Toshiba.
And so on, some too painful to recall.
I was asked to serve as a judge for the Media Arts panel for the Indiana Arts Commission again this year, helping award grants. I hope it does not speak to the state of art in Indiana that I have been asked to rejoin this august group. I enjoyed judging before and am happy to serve.
Under threat of a junk-punch from the ghost of Bruce Lee I have sworn to catch up on script coverage I have promised as well as emails I owe between gaps in my latest (nondisclosure) script rewrite (Hint: The Christian Bale rant making the rounds right now holds a peripheral, tertiary clue). So until later, I am at firstname.lastname@example.org.
Monday, February 02, 2009
Waiting to get notes on a nondisclosure script I shot through the ether, and in the meantime trying to catch up on The Tudors, read smarter, return emails, nurture my new Facebook account, give script coverage to people I promised some to.
Respect to my Hoosiers for all the mad pub the Crossroads of America has been getting lately.
First we have Katie Stam, the first Hoosier to be Miss America.
Then we have Skeeter Hines, perhaps not a household name yet but a former student of mine who worked on the prize-winning Doritos ad that aired during the Super Bowl. Oh, also the other dudes that worked on it were Hoosiers.
Indiana: More than David Letterman, anymore.
It is now February, and not a moment too soon. A big-ass load of snow dumped on us a few days ago and then drifted over all weekend; though not before I got to eat at a very good restaurant Saturday night.
Until later, I am at email@example.com.
Thursday, January 29, 2009
-I met my wife on a blind date in January 1987 and we were married that October.
-I have been knocked unconscious a lot, including every job I ever had (except the last one, where I passed out, and the current one, which the meter is still running on).
-I was the first person to win a Letterman Scholarship at Ball State for scriptwriting. When I stood up to accept the award, being a young smartass at the time, I thanked the Smith-Corona typewriter company and the creator of White-Out.
-I was given tickets to the Letterman show as part of the scholarship and my wife and I went to see the show in 1988. The studio was smaller than you would think. The guests that night were Isiah Thomas, Chris Elliot and Terrence Trent D'Arby.
-Much to the chagrin of practically everyone I talk to about it, I always read the last chapter of a book before I start it. And no I did not get that idea from Billy Crystal in "When Harry Met Sally."
-I have been involved with Big Brothers/Big Sisters since 1987 and have had three Little Brothers. The one I have now is 13 and the first one I had is now, unbelievably, 34.
-As an adjunct faculty at Ball State University I was the advisor for a student group that produced a minority public affairs program. I am still proud that they named their annual Outstanding Leadership Award after me.
-I was flattered to see that the short films "The Hook" and "The B-Team" both have characters named after me.
-I was the Ball State Daily News Freshman Writer of the Year in 1985. I had not yet learned to type and wrote all my stories in longhand.
-My nickname in high school was "Ace."
-I have never learned to play Solitaire and don't understand a lick of it.
-I also could not blow a bubble with a gun to my head.
-The very first movie I ever remember seeing is "The Barefoot Executive." The first movie I saw when we got HBO as a kid was "The Last Remake of Beau Geste." The first R- rated movie I saw was "Alien."
-My favorite comic book character growing up was, for whatever reason lost in the dustbins of history, the Golden Age Flash, Jay Garrick. I used to call him "Pot Head Flash" before I knew the subtle connotations there, as he wore a winged Mercury helmet. It is still my favorite superpower.
-When I was a kid, there were three measures of coolness: seeing Star Wars at least 13 times, being able to go see the R rated version of Saturday Night Fever instead of the PG version, and being able to stay up all night watching Sammy Terry. I only could do one of these.
-In general I do not like to watch a movie over again, nor do I like to start watching a movie if I miss the beginning.
-I listen to ELO's "Out of the Blue" and The 5th Dimension "Greatest Hits on Earth" over and over when I need inspiration.
-I have probably read "Catch-22" by Joseph Heller more times than any other book.
-I loved "The Prisoner" TV series so much I never watched the last episode because I never wanted it to end.
-I have walked on the Great Wall of China and stood in Tianenmen Square a year before it took on a new meaning.
-The first record I bought for myself was "Dark Side of the Moon" by Pink Floyd from a garage sale across the street--it still hand the stickers in it. The first one given to me was a .45 of "King Tut" by Steve Martin by my friend Todd Merickel in 7th grade. The last 8-Track I bought was "Wings Greatest Hits." The first cassette I owned was Tom Petty 'Hard Promises." I played it with the 8-track adapter. The first CD I owned was "Ten" by Pearl Jam.
-To my secret shame, the first rock concert I went to see was Adam Ant, with The Romantics as the opening act, at Market Square Arena in Indianapolis.
-Like most teenagers in the early 80s, I was briefly in a punk band. It was called The Johnnies.-
-With a friend, I hosted my own cable access show in Muncie, Indiana, called Back Issue. It was about comic book collecting, and we produced around 75 episodes circa 1997-2000.
-I have always drawn my own comics, made my own zines, shot my own movies on Super-8 and video. I now know this is called DIY but we used to call it being a nerd.
Tuesday, January 27, 2009
This wise movie veteran congratulated me on getting the script knocked out, rightfully calling it "Draft #1." There's always a lot more work to do.
My O.M.G. Tim Shrum (in this case, meaning Original Microcinema Gangster) gave me a shout out here, so I am giving one back. If you like my blog, his is ten times better.
Until rewrites, I am at firstname.lastname@example.org.
Sunday, January 25, 2009
2009 has also been interesting. In 2008, if you opposed the president you were a dirty traitor who wanted the terrorists to win. Now, in 2009, if you oppose the president you are a patriot only trying to save America from the evils of socialism (except for the government intervention in the fates of the auto companies, which shouldn't be considered socialism, naturally). It's funny how the world goes 'round.
The Guardian put out a list of Science Fiction books everyone should read, and at first I said "Wow, I've read 22 of them," and then I said, "Wow, I need to read a lot more of these." Check the full list out, in three parts, beginning here.
This dude wrote, "Statistically speaking, there's at least one person on Earth who's a fan of Eminem and Benny Hill and Doctor Who. This video is for that freak." How he knew I existed, I'll never know.
I just finished a really good book called The Girl with the Dragon Tattoo and wondering if I have the brainpower to read The Savage Detectives as I'd like.
Until later, catch me at email@example.com.
Saturday, January 17, 2009
I did add a new resolution to my list. I am going to be better about giving script coverage. If you sent me a script in the last three months--okay, the last six months--and I never responded, please re-send your script to me at firstname.lastname@example.org and I swear on a stack of Hard Case Crime paperbacks to read it in the nearer rather than distant future.
I also know I owe some peeps some emails, but I'm starting with baby steps.
Really, when the weather gets like this, there is nothing to do but hunker down--and in my case, knuckle down on some script rewrites. Loyal readers know that I have been working on a non-disclosure sci-fi project since before Thanksgiving that I thought would be done by now, but has gone through several rewrites of the first act. Several people familiar with this project have wondered aloud to me whether doing so much re-writing bothers me. Allow me to turn my thoughts away from this brutal winter and offer some of my sporadic screenwriting advice that so many come to this blog to receive.
A script is not your baby. You are delivering someone else's baby. Thus I do not mind writing and rewriting until the producer or director gets exactly what they want. The more it fits their vision, the more likely it will get made. When somebody tells you they can "see" what you've written, you know you are onto something.
I can hear loyal readers asking, 'but what if it's your original script?' The truth is, even though I like to write specs in the summers, mostly for my own amusement, every single script out of the 20 projects I have worked on the last eight years have started with somebody else's idea. Either somebody has a monster suit or access to a neat location or knows a girl willing to have red kayro syrup thrown on her while she's taking a shower or has been given a mockbuster title to develop or something.
Most directors and producers eventually figure out that coming up with ideas isn't the hard part. It's sitting in a chair writing it all out instead of, for instance, watching the NFL playoffs. Thus, do not write me an email and suggest a great idea, and if "only I write it" we can split the money. It is not a bubbling brain but a cast iron butt that wins the race. At any rate, I have a rewrite to finish and perhaps have the next project beyond that percolating. If only people would stop making me sign these accursed nondisclosures and, as I have suggested, go back to wearing tinfoil hats to protect their thoughts this blog would be a lot more fun at times.
To reward myself later tonight, hot Mexican food, cold wine, warm brownies, a glowing TV screen.
Until even later I am at email@example.com.
Sunday, January 11, 2009
Ice and snow on a brittle Sunday morning. Last night we were kept from going to a nice restaurant an hour away by icy roads, so we went a half-mile away and had sandwiches and milkshakes at the local diner, then came back here and played cards and had a nice "found evening" after all. We watched George Cukor's The Women and I wondered aloud how a 70 year old movie could be fresher and funnier than the one made with Meg Ryan a year or two ago.
However, I watched Son of Rambow a night or two before, and it is the kind of movie I wish I had written.
I went to the library and the two books I was most interested in--Stieg Larsson's The Girl with the Dragon Tattoo and Roberto Bolano's The Savage Detectives--were both on the New Books shelf, both in English translation, and both authors are already dead before their time. Makes me think I need to start writing faster.
I am working on rewrites of a sci-fi script under nondisclosure and looking ahead to a potential project.
Although winter is seemingly just getting underway, we are all ready for it to be over and are contemplating an escape to warmer climes for Spring Break. My Colts and Ball State Cardinals getting beat on mercilessly doesn't help.
Now this is a bright star in the sky; though I liked it so much that, to my brother's undying chargin, I never watched the last episode because I didn't want it to be over.
Until later, I am at firstname.lastname@example.org.
Wednesday, January 07, 2009
This year I did rewrites on the horror film Mental Scars for Richard Myles, a second pass on a sci-fi script I did in 2007 under a nondisclosure, and finished the year working on another sci-fi project under nondisclosure with the same producer (nondisclosures make for boring blogs, though). Which, with a few fits and starts on some other things, was just busy enough.
Instead of writing a spec script this summer I started schooling myself on New Media to sort of figure out what that Next-Gen model is going to be. Having gone to college with an electric typewriter in 1984 I still have a lot to learn. But I did pass five years and one thousand posts on this humble blog. I got very interested in Creative Commons and released some of my work under those licenses.
I got to go to the San Diego Comic Con and Columbus Ohio's Small Press and Comics Expo and Bloomington's Cinephile Film Fest and did a lot of other straycationing, but my beloved Microcinema Fest skipped a year.
I gave myself another Ultimate Nerd Challenge, this time to read 50 books in 2008 (and succeeded), along the way discovering Samuel R. Delany and re-discovering Philip K. Dick. I got to play the new D&D 4E. After five good years a website I helped launch, Microcinema Scene, folded with ReWind Video into a new site, Common Film.
John Polonia, a legendary b-filmmaker who I collaborated on with many projects, unfortunately died suddenly in February. A nice tribute to him, featuring a few of my humble words, appears on the Monster Movie DVD which came out that year.
This year my goals are about the same; lose (more) weight, guide my kids through their lives, teach my puppy more, work smarter, write better.
Until later, I am at email@example.com.