On the Book Beat

My latest column for Pomp and Circumstantial Evidence, the magazine of the Magna Cum Murder Mystery Conference:

BOOK BEAT by John Oak Dalton

 

MR. MERCEDES by Stephen King
A disturbed young man plows into a line of people waiting on a job fair, and a dogged detective never catches him before heading into retirement; but when the young man begins to intrude in the retiree's life, he gets a second chance in Stephen King's Mr. Mercedes.

King has been dipping a toe into the mystery world lately, and I have been enjoying his new direction.  Unlike some of his other recent thriller attempts, like Joyland, this one contains no supernatural elements at all (perceived or real) and is probably closer styled to a summer blockbuster.

Although I thought some of the characterizations ran hot and cold, the story rockets on a relentless pace, with plenty of suspense and a nerve-racking conclusion that would play well on the big screen.

I think King's fans will enjoy this change of pace, as well as general mystery readers.

 

REALLY THE BLUES by Joseph Koenig
A jazz musician flees New Orleans under mysterious circumstances, and makes the mistake of landing in Paris during the Nazi Occupation in Joseph Koenig's wartime thriller Really the Blues.

Koenig has been an elusive figure in publishing, having written several different kinds of novels before seemingly disappearing for almost twenty years, emerging in 2012 with a very good hard-boiled noir, False Negative, which first got me interested in the author.

Now there's Really the Blues, where our reluctant protagonist would prefer to keep playing his music, but the Resistance, in various forms, keeps crossing his path, with the Nazis dead on their heels. 

This is a very engaging thriller that will have appeal to all kinds of readers.

 

THE SECOND DEADLY SIN by Asa Larsson

A young boy is the sole survivor of what turns out to be a long, connected series of murders, and it's up to the dogged prosecutors and police (including one clever police dog) of the Uppsala law enforcement community to figure out what's going on in Asa Larsson's The Second Deadly Sin.

I am a big fan of Larsson's novels, set in rural Sweden and featuring lawyer Rebecka Martinsson, whose psyche is a little fragile after all that has transpired in her previous adventures.

Larsson writes rich, interesting characters, and depicts vibrant slices of life from her own homeland.  This sometimes stands in stark contrast to the violence and terror that bursts from the pages at unexpected intervals.

These are very solid mysteries, and recommended for those who want a change of venue in their stories.

 

THE SON by Jo Nesbo
The son of a rogue cop ends up in prison, strung out on heroin supplied through a mysterious source; but when he figures out his dad might have been framed, the machinery of revenge begins to run in Jo Nesbo's superior crime novel The Son.

For those in a post-Dragon Tattoo malaise,  I can't recommend anyone more than Jo Nesbo.  His Harry Hole novels, about a flawed police detective in Oslo, are all top-flight thrillers accessible to audiences foreign and domestic.

This is a stand-alone story but the equal of his other work, told at a breakneck pace and featuring nothing but flawed characters, on both sides of the law, throughout.

 

MAPUCHE by Caryl Ferey

In Argentina, a private eye and an artist (the Mapuche of the title, an indigenous person of Argentina) begin to look into the murder of a transvestite prostitute, but quickly find themselves immersed in the dark history of Argentinian politics in Caryl Ferey's grisly thriller from the World Noir line.

Mapuche is a rocketing thriller, with additional intrigue for anyone interested in the history and politics of Argentina and South America, or in political thrillers in general.  I found out to be a good read and a window into a culture I was not familiar with.

However, Mapuche comes with a warning for readers with a gentle constitution; there is a lot of gruesome torture, murder, and rape throughout, and thus can only be recommended to more mature readers.  Worthwhile to those of a receptive mindset.

 

THE LAST TAXI RIDE by A.X. Ahmad

An Indian taxi driver gets an unexpected fare when he picks up a fading Bollywood actress; and when she turns up dead the next day, the cab driver tries to solve the crime to prove his own innocence in A.X. Ahmad's The Last Taxi Ride.

Even though the reader might see the ending before our protagonist, the story hits all the right beats as well as being an interesting look at Indian culture, both in India as well as New York City, where the story largely takes place.

Along with some emotional baggage that plays out, our hero fortunately has a military background that helps him out of numerous scrapes involving unsympathetic police, remorseless gangsters, and backstabbing friends.

Recommended for those who would like a change of pace in their characters and situations.

 

LAST WINTER, WE PARTED by Fuminori Nakamura

A journalist with a hidden agenda intends to write a book about why a popular photographer burned two women to death, but gets more than he bargained for in Last Winter, We Parted by Fuminori Nakamura.

This skin-crawling noir is written in an interesting, fragmentary style which includes pieces of the journalist's novel as well as other accounts of the story told from various angles.  But it is loaded with creepy characters, where every man has a secret fetish and every woman is an evil temptress.

Nakamura's novel The Thief, which I earlier read and enjoyed, also showed the sweating, seeping underbelly of Tokyo, but the author turns it up a notch in this one.  A greasy palette of tastes from sex dolls to S&M to implied incest is on display.

I found it to be a good read, but for darker tastes.

 

SUMMERTIME, ALL THE CATS ARE BORED by Philippe Georget

A cop, out of steam in his career and in his marriage, finds himself galvanized to find an abducted tourist as the disturbed kidnapper continues a cat-and-mouse game in Philippe Georget's Summertime, All The Cats Are Bored.

Georget's first novel comes from the World Noir line, quickly becoming one of my favorite imprints with (mostly) hardboiled noir from around the world.

This novel takes place in the French Mediterranean town of Perpignan, and in addition to a solid mystery interested me in someday visiting this area.

For mystery readers looking for a change of pace, this novel has a decidedly European flavor, both in its dealings with police life as well as marriage.

I continue to be very satisfied with the World Noir line and will also look for Georget's next book.

 

THE MASTER OF KNOTS by Massimo Carlotto

The Alligator, an Italian sort-of criminal turned sort-of detective, and his knockaround pals try to help a client who is  involved in murderous games with an S&M group in Massimo Carlotto's The Master of Knots.

The author has had a colorful life of his own, and some of it has obviously seeped into his writing.  In this, the second novel I have read in this series, he and his old-school pals find themselves shocked at the world they uncover, including the sinister criminal of the title.  The reader too may be shocked by some of the plot developments, not for all tastes.

But center to the story is the relationships between the three detective friends.  My favorite character is Rossini, an aging, genteel strongarm with his own curious code of honor.  I could very easily see Rossini based on the Italian actor Marcello Mastroianni (as see in Big Deal on Madonna Street).  Their scenes are veined with humor.

Carlotto's world is full of dishonorable lawyers, crooked cops, and gangsters with hearts of gold.  I enjoy visiting this world, through the World Noir line.

 

BLACK SKIES by Arnaldur Indridason

Dogged but unremarkable Icelandic cop Sigurdur Óli reluctantly tries to help a friend being blackmailed with explicit photos, but quickly gets involved in a complex, murderous scheme in Arnaldur Indridason's Black Skies.

I am a huge fan of Indridason's police procedurals featuring flawed but insightful detective Erlendur (the first translated into English was Jar City) but this novel features a supporting character from the earlier novels, one of Erlendur's colleagues.  It is a change of pace in tone (including some lighter subplots), but still features much of Indridason's very solid storytelling.

I am always on the lookout for more of Indridason's writing.